A quote I read one time goes something like: "Every artists starts by imitating their idols. How they mess up becomes their style."
I think there's a lot of truth in that for the replaymaking scene. I was just having a discussion with some dudes in #ormo about styles and instead of pointing out characteristics of the style, we mostly defined them by comparing replaymakers to others that seemed to either inspire them or play similarly to them. For example, there's the hyperbalanced classic style of Largekilla/Swexx, which spawned countless imitators in the way that Oracle was talking about. Of course, many of these imitators brought their own spin to the style, creating something of their own. However, you can often still clearly see the roots of whoever they were most inspired by.
For example, there were multiple periods in my career where there were different replaymakers I aspired to emulate. At any given point, I could be trying to recreate the styles of Oracle, War_Hero, Tamer0, or Mosier. At some point I got far enough from these influences that when I asked #ormo who I could be compared to, they didn't identify any of those guys. I messed up my imitations enough that my own style was born.
Styles can be identified by gimmicks sometimes, but I find that even if someone doesn't do their more obvious gimmicks (i.e. me with my extended abs ballerina spins) you can still somehow place the style anyway. I think style is more defined by an overall approach than any sort of "gimmick". I'll return to my "hyperbalance" definition of the largekilla school of replaymaking as an example of that. Largekilla basically never falls over, or even really use his hands on the ground without a very definitive purpose to it (I'm going off of memory here, so I'm sorry if I'm not identifying these quirks correctly). This is more than a gimmick, its a core aspect of his gameplay. That's what defines style.
Standing out from the crowd is just a matter of bringing enough of yourself to the replay rather than simple emulation of others. I like to think I've gotten to the point that my personality shines through in the sort of free-improv method I've developed in my replaymaking process. Some others find that to let their style show they need to perfect all of their movements, spending a lot of time making sure their replays are exactly what they picture in their brain. Neither way is wrong, and that's what's so beautiful about replaymaking.
In your gravity argument, I'd say that its just a matter of having a base that you're familiar with. It's like complaining that all rock music is based around only the same few instruments with little variation, or that all visual art is made with only a few materials (either paint, oil, etc.) It's just a platform, and if you're not familiar enough with the platform it can make the thing you build on top of it shaky.
Nice thread jisse ;o