1. Hannah Montana ( No REAL band but still, fail)
2. Jonas Brothers ( Promo Shit..)
3. Milli vanilli (Playback fail²³³²³³)
4. Panic (!) at the Disco (Emo/happy songs fail hard imo)
5. Tokio Hotel (You know why)
6. De Randfichten (GERMAN FAIL BAND OF DEATH (Seriously, listen to them)
7. Good Charlotte (Gay voices)
.
2. Jonas Brothers ( Promo Shit..)
3. Milli vanilli (Playback fail²³³²³³)
4. Panic (!) at the Disco (Emo/happy songs fail hard imo)
5. Tokio Hotel (You know why)
6. De Randfichten (GERMAN FAIL BAND OF DEATH (Seriously, listen to them)
7. Good Charlotte (Gay voices)
.
Hollywood Undead.
To be honest, this is possibly worse than anything posted here earlier.
Some things should never be attempted: pop rocks with soda, jumping from rooftops, and white people in gangsta rap.
To be honest, this is possibly worse than anything posted here earlier.
Some things should never be attempted: pop rocks with soda, jumping from rooftops, and white people in gangsta rap.
Originally Posted by Kips
Hollywood Undead.
To be honest, this is possibly worse than anything posted here earlier.
Some things should never be attempted: pop rocks with soda, jumping from rooftops, and white people in gangsta rap.
defeated
Also. Next person to say Panic at the Disco sucks gets banned
Last edited by KiTFoX; Apr 7, 2009 at 09:04 PM.
Originally Posted by H4rl3quin
I just can't buy this point of view - take, for example, this (in tab, because there's no way in hell i'm writing stuff out, scanning it in, and uploading it):
e------------------------------|
B------------------------------|
G------------------------------|
D-5^-5-3------5^-5-3---------|
A--------5-5---------5-5-3----|
E------------------------------|
this riff from grounds for divorce - now, i'm sure that that pattern of notes has been played 1,000 times in bluesey improvs and rock solo's, but it becomes something original when you play it with that intonation, that tempo, and the messy return bend from the G to the Ab at the start of the phrase.
I know from composing a whole load of my own stuff, that you don't need to borrow anything, whether something similar's been used before is irrelevant, as long as you make your own music your own.
back on topic, the worst band ever would almost certainly be unheard of, and probably dead by now, therefore the debate is pointless.
Harl is right, drummer. Being a drummer, you couldn't possibly understand what this means. While your focus is exclusively on rhythm, tone, and intensity, mine is on more than that. I personally can tell you that Nickelback's riffs are lame and unoriginal. Want original riffs? One doesn't need to "re-invent the wheel" to do so. Through arpeggios and various licks, one can make two riffs over the same chord progression that are totally different. It is true that ever so often, someone comes along that creates essentially a game changer. To put it in your perspective, Topper Headon's drumming on Train In Vain. That particular style of drumming had yet to be used. That was truly original. However, Kurt Cobain's riff on Smells Like Teen Spirit is original as well, despite being a common chord progression. This is due to his use of muted notes, distortion and sliding. Essentially, it matters how it's done, not necessarily what's being done.
Thanks, there you go.
